Which Approach will you choose?
At the ArtEZ Conservatory in Arnhem (NL), in addition to vocal lessons, I also teach courses on the anatomy and physiology of the voice. These are challenging but also fascinating classes that cover topics such as muscles, cartilage, and acoustics. The course material provides answers to questions such as: why does every voice sound different, what happens when you experience a voice break, what is twang, and how does the diaphragm work? This not only gives students greater insight into how their own voices work, but also teaches them how to apply this knowledge in their vocal technique classes.
I deliberately write “apply” because discussing anatomy and physiology usually does not play a central role in a regular singing lesson. It is knowledge that the singing teacher translates into a pedagogical approach. The beauty of the voice is that there are many different approaches. As a result, working with imagery, emotions, or movement can sometimes be much more effective than motor instructions (“long neck,” “low larynx”). It is up to the vocal teacher to make conscious, well-informed choices in this regard. The various vocal methods can be helpful in this process.
Popular methods such as Estill Voice Training and Complete Vocal Technique share a cognitive approach in which sounds are analyzed based on anatomy and physiology. The Lichtenberg Method, in particular, encourages you to explore your voice through sensory perception. Listening plays a key role in this process. In the theater world, vocal methods such as Roy Hart and Linklater Voice focus on the expressiveness of the voice and the ability to freely express emotions. These methods include exercises designed to create a strong connection between emotion, breath, voice, and body. In addition to these methods, there are also countless books offering effective and inspiring exercises. One notable example is Core Singing, which holistically combines energy work, science, and vocal methodology.
All in all, the field of vocal pedagogy reflects the many facets of the voice. It is a colorful and fascinating world that, if explored, will provide a wealth of inspiration for every singer, vocal teacher, and conductor.
© 2026 Ineke Vandoorn
ZINGmagazine nr 128- april/mei 2026