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Table of Contents

‘Singing from the Inside Out’ consists of 43 chapters divided into 10 parts. Each part deals with one aspect of singing.

Introduction

  • A personal history
  • A practical guide for the expressive singer
  • Singing from the inside out: Exploring the voice, the singer and the song
  • Who is this book for?
  • Is this book a specific method?
  • What’s in this book?
  • What’s the best way to use this book?
  • The term ‘pop and jazz’
  • Singing musicals

Part 1 Your Voice

1. Your own voice

  • Introduction
  • What is ‘your own voice’?
  • OK, your own voice does exist
  • A toolkit
  • Taking lessons
  • Your voice is an instrument
  • ‘Losing’ your own voice
  • The singing teacher
  • Pop/jazz versus classical

2. Analyze your own voice

3. Vocal range and voice type

  • Vocal range
  • Voice type
  • Pop and jazz
  • Heavy or light?
  • How high and how low?
  • Developing your voice
  • Your voice changes
  • Some hard science

4. What can you change about your voice?

5. What is your goal?

6. Voice, body and mind

  • General introduction
  • Introduction
  • Posture
  • Movement
  • An open mind
  • Mental pitfalls

Part 2 Breathing

7. Singing and breathing

  • Two frequently asked questions
  • Breath control, air pressure, and breath support
  • Deep breathing
  • High breathing
  • Breathing from the ribs
  • The right breathing

8. Practicing

  • Step 1 Becoming aware of the breath: observing
  • Step 2 Breath control: low exhalation/inhalation
  • Step 3 Connecting the breath and the voice: a flexible diaphragm
  • Step 4 From speaking to singing: breath support
  • Breathing in practice: three ‘Yesterday’ exercises
  • Conclusion: an organic breath

Part 3 Singing technique

9. What is singing technique?

  • A unique instrument
  • ‘You either got it or you don’t’
  • Muscle training
  • Observing how your body feels
  • But I can do it just fine in the shower…
  • Work on your technique
  • Freedom
  • Technique versus interpretation
  • Classical versus pop/jazz

10. Practicing singing technique

  • Doing singing exercises
  • Classical exercises?
  • About the exercises in Part 3
  • Harmony
  • The connection between the exercises
  • Tips for practicing
  • Overview of the exercises in Parts 2 and 3
  • Exercises in Part 2
  • Exercises in Part 3

11. Long-tone exercise

12. Open your mouth and throat

  • Open your mouth
  • Open your throat
  • Constricting
  • The tongue
  • The connection between tongue, jaw and larynx
  • Exercises
  • Step 1: tension – relaxation
  • Step 2: speaking exercises
  • Step 3: singing exercises
  • A few more tips

13. Sound, overtones, resonance and vowels

  • Introduction
  • Resonance
  • Sound color, overtones and formants
  • Vowels
  • Overtone singing
  • Vowel modification
  • Nasality
  • Twang

14. Registers, register break and blending

  • What do we mean by a register?
  • In practice
  • Modal register
  • Falsetto register
  • The register break
  • Using your break for musical effect
  • Avoiding your register break
  • Blending
  • Exercises for blending
  • Training the registers

15. Sound

  • What do we mean by sound?
  • A pop sound or a jazz sound?
  • Developing a pop/jazz sound in the mid-range
  • Singing with power
  • Heavy modal: a powerful, open sound in the mid-range
  • Twang
  • Belting
  • Growling

16. Pronunciation and articulation

  • Articulation and technique
  • Vowels and consonants
  • Vowels and melody
  • Consonants and text
  • Connecting sound and meaning
  • Syllable stress (accents)
  • Varying the intensity of your articulation
  • Pronunciation
  • Singing in English
  • Exercises

17. Vibrato

  • Introduction
  • Theory
  • Why use vibrato?
  • Vibrato exercises

18. Warming up

  • Warming up with vocal exercises
  • Other ways to warm up
  • Your body
  • Concentration
  • If you’re not feeling your best
  • Sing-along recordings
  • Your own sing-along CD
  • When there’s no opportunity to warm up

19. Troubleshooting

  • Articulation
  • Breathing too high
  • Constricting/pressing
  • Feeling out of breath
  • Flexibility
  • Hoarseness/breathy tone
  • Jaw problems
  • Nasality/low palate
  • Placement, vocal onset
  • Problems singing legato
  • Problems singing staccato
  • Register problems
  • Resonance problems
  • Running out of breath too soon
  • Singing out of tune (poor intonation)
  • Sound
  • The inhalation is very audible
  • Vibrato
  • You’re breathing ‘the other way around’

Part 4 Listening, Repertoire and Style

20. Listening to music

  • Live concerts
  • Inspiration
  • Contacts
  • Building repertoire
  • Knowledge of styles

21. Styles

  • General
  • Listening examples

22. How do you find repertoire?

  • Finding repertoire
  • Jazz repertoire
  • Choosing repertoire
  • Repertoire folder

Part 5 Practicing

23. Practicing singing

  • Introduction
  • The three phases of practicing: L-E-I
  • Thinking, intuition, skills and emotion
  • What you need: time, planning and concentration
  • What you need: materials
  • What can you practice?
  • How do you practice?
  • Practice mode versus performance mode
  • Practice tips
  • Make notes
  • Accompaniment while practicing
  • Practicing together
  • Mental practicing
  • Overcoming setbacks

24. Practicing a song

  • Which song?
  • Why this song?
  • Choosing the correct key
  • The lyrics
  • The melody
  • The chords
  • Breathing and phrasing
  • The tempo
  • Rhythm, groove pulse and timing
  • Dynamics
  • Going through a song technically in 6 steps
  • Practicing ascending intervals
  • Sound
  • Memorization
  • Making a lead sheet
  • Summary: Practicing a song

Part 6 Music Theory

25. Music theory and singing

  • Why music theory?
  • Theory and ear training
  • How can you increase your understanding of music theory?
  • What do you need to know?
  • Theory in practice
  • Making parts and lead sheets
  • Transposing a song

Part 7 Improvisation and variation

26. What is improvisation and why is it so important?

27. How can you practice improvisation?

  • Fills
  • Repetitions at the end
  • Call and response
  • Embellishments, ad libs
  • The blue note
  • Varying the melody
  • Difficult phrases
  • Listen to examples

28. Improvising without words

  • Introduction
  • Improvising
  • Improvising a solo
  • The blues progression
  • My own improvisation

Part 8 Amplification in practice

29. Singing with amplification

30. Microphones

  • Condenser microphones
  • Dynamic microphones
  • Directional sensitivity
  • Tone color
  • Proximity effect
  • Wireless
  • Microphone cable
  • The microphone transformer
  • Buying a microphone
  • Microphone technique
  • Caring for your microphone
  • Letting someone borrow your microphone
  • Always sing with a microphone
  • Which microphone do I use?

31. Amplification

  • Overview
  • The mixing board
  • Input and output
  • Equalizing
  • Effects
  • Power amplifying
  • Speakers
  • Compact PA system
  • Monitors
  • PA system
  • DI
  • Which equipment should you buy?
  • What do I use myself?

Part 9 Putting your skills into practice

32. Singing in a band

  • Finding a band
  • Your own band
  • Rehearsals
  • Who does what?
  • Learning to listen
  • Giving a cue
  • Ear protection

33. Singing while playing an instrument

  • Alternating playing and singing
  • Playing and singing at the same time
  • Things to pay attention to
  • Practicing
  • Examples

34. Choirs and backing vocals: singing in harmony

  • Unison or harmony
  • Voices and parts
  • Second voice and backing vocals
  • Choirs
  • Tips for singing backing vocals and second voices
  • Tips for writing backing vocals
  • Finding and keeping your note

35. Performing: your presentation on stage

  • The usefulness of your presentation on stage
  • The great misconception about stage presentation
  • Developing a personal presentation
  • Image
  • An important tip: how do others do it
  • A checklist
  • Message
  • Program buildup: the set list
  • What to wear on stage?
  • Announcements
  • Announcements, acknowledgements, sales
  • Performing abroad
  • Movement

36. Performing: technical issues and the concert

  • Stage set up
  • The sound check
  • Lighting
  • The concert

37. Stage fright

38. Doing auditions

  • What is an audition?
  • In general
  • Preparing for an audition
  • The actual audition
  • Afterwards

39. In the studio

  • Choosing a studio
  • Producer
  • Preparation and planning
  • Be on time
  • Recording several takes
  • How are you planning to record?
  • Singing in a studio
  • Mixing
  • My own experience in the studio

40. Participating in a session

  • What is a session?
  • Look first
  • Participating yourself

Part 10 Vocal Fitness

41. Vocal load versus capacity

  • Introduction
  • Vocal hygiene

42. Keeping your voice in shape

  • Tips for vocal hygiene
  • Tips for repertoire and arrangements
  • Tips for rehearsals
  • Tips for performances
  • More tips

43. When things go wrong

  • Can you sing with a cold?
  • Trying your voice out
  • Sore throat
  • Relaxation exercises for your shoulders, neck and jaw
  • And once you have strained your voice
  • Breathy tone, non-closing vocal folds
  • Vocal-fold nodules
  • What can I do to keep my voice in shape?

Index

Glossary

About Ineke van Doorn

Discography

Awards

Acknowledgements

Thanks to

Colophon