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Table of Contents
‘Singing from the Inside Out’ consists of 43 chapters divided into 10 parts. Each part deals with one aspect of singing.
Introduction
- A personal history
- A practical guide for the expressive singer
- Singing from the inside out: Exploring the voice, the singer and the song
- Who is this book for?
- Is this book a specific method?
- What’s in this book?
- What’s the best way to use this book?
- The term ‘pop and jazz’
- Singing musicals
Part 1 Your Voice
1. Your own voice
- Introduction
- What is ‘your own voice’?
- OK, your own voice does exist
- A toolkit
- Taking lessons
- Your voice is an instrument
- ‘Losing’ your own voice
- The singing teacher
- Pop/jazz versus classical
2. Analyze your own voice
3. Vocal range and voice type
- Vocal range
- Voice type
- Pop and jazz
- Heavy or light?
- How high and how low?
- Developing your voice
- Your voice changes
- Some hard science
4. What can you change about your voice?
5. What is your goal?
6. Voice, body and mind
- General introduction
- Introduction
- Posture
- Movement
- An open mind
- Mental pitfalls
Part 2 Breathing
7. Singing and breathing
- Two frequently asked questions
- Breath control, air pressure, and breath support
- Deep breathing
- High breathing
- Breathing from the ribs
- The right breathing
8. Practicing
- Step 1 Becoming aware of the breath: observing
- Step 2 Breath control: low exhalation/inhalation
- Step 3 Connecting the breath and the voice: a flexible diaphragm
- Step 4 From speaking to singing: breath support
- Breathing in practice: three ‘Yesterday’ exercises
- Conclusion: an organic breath
Part 3 Singing technique
9. What is singing technique?
- A unique instrument
- ‘You either got it or you don’t’
- Muscle training
- Observing how your body feels
- But I can do it just fine in the shower…
- Work on your technique
- Freedom
- Technique versus interpretation
- Classical versus pop/jazz
10. Practicing singing technique
- Doing singing exercises
- Classical exercises?
- About the exercises in Part 3
- Harmony
- The connection between the exercises
- Tips for practicing
- Overview of the exercises in Parts 2 and 3
- Exercises in Part 2
- Exercises in Part 3
11. Long-tone exercise
12. Open your mouth and throat
- Open your mouth
- Open your throat
- Constricting
- The tongue
- The connection between tongue, jaw and larynx
- Exercises
- Step 1: tension – relaxation
- Step 2: speaking exercises
- Step 3: singing exercises
- A few more tips
13. Sound, overtones, resonance and vowels
- Introduction
- Resonance
- Sound color, overtones and formants
- Vowels
- Overtone singing
- Vowel modification
- Nasality
- Twang
14. Registers, register break and blending
- What do we mean by a register?
- In practice
- Modal register
- Falsetto register
- The register break
- Using your break for musical effect
- Avoiding your register break
- Blending
- Exercises for blending
- Training the registers
15. Sound
- What do we mean by sound?
- A pop sound or a jazz sound?
- Developing a pop/jazz sound in the mid-range
- Singing with power
- Heavy modal: a powerful, open sound in the mid-range
- Twang
- Belting
- Growling
16. Pronunciation and articulation
- Articulation and technique
- Vowels and consonants
- Vowels and melody
- Consonants and text
- Connecting sound and meaning
- Syllable stress (accents)
- Varying the intensity of your articulation
- Pronunciation
- Singing in English
- Exercises
17. Vibrato
- Introduction
- Theory
- Why use vibrato?
- Vibrato exercises
18. Warming up
- Warming up with vocal exercises
- Other ways to warm up
- Your body
- Concentration
- If you’re not feeling your best
- Sing-along recordings
- Your own sing-along CD
- When there’s no opportunity to warm up
19. Troubleshooting
- Articulation
- Breathing too high
- Constricting/pressing
- Feeling out of breath
- Flexibility
- Hoarseness/breathy tone
- Jaw problems
- Nasality/low palate
- Placement, vocal onset
- Problems singing legato
- Problems singing staccato
- Register problems
- Resonance problems
- Running out of breath too soon
- Singing out of tune (poor intonation)
- Sound
- The inhalation is very audible
- Vibrato
- You’re breathing ‘the other way around’
Part 4 Listening, Repertoire and Style
20. Listening to music
- Live concerts
- Inspiration
- Contacts
- Building repertoire
- Knowledge of styles
21. Styles
- General
- Listening examples
22. How do you find repertoire?
- Finding repertoire
- Jazz repertoire
- Choosing repertoire
- Repertoire folder
Part 5 Practicing
23. Practicing singing
- Introduction
- The three phases of practicing: L-E-I
- Thinking, intuition, skills and emotion
- What you need: time, planning and concentration
- What you need: materials
- What can you practice?
- How do you practice?
- Practice mode versus performance mode
- Practice tips
- Make notes
- Accompaniment while practicing
- Practicing together
- Mental practicing
- Overcoming setbacks
24. Practicing a song
- Which song?
- Why this song?
- Choosing the correct key
- The lyrics
- The melody
- The chords
- Breathing and phrasing
- The tempo
- Rhythm, groove pulse and timing
- Dynamics
- Going through a song technically in 6 steps
- Practicing ascending intervals
- Sound
- Memorization
- Making a lead sheet
- Summary: Practicing a song
Part 6 Music Theory
25. Music theory and singing
- Why music theory?
- Theory and ear training
- How can you increase your understanding of music theory?
- What do you need to know?
- Theory in practice
- Making parts and lead sheets
- Transposing a song
Part 7 Improvisation and variation
26. What is improvisation and why is it so important?
27. How can you practice improvisation?
- Fills
- Repetitions at the end
- Call and response
- Embellishments, ad libs
- The blue note
- Varying the melody
- Difficult phrases
- Listen to examples
28. Improvising without words
- Introduction
- Improvising
- Improvising a solo
- The blues progression
- My own improvisation
Part 8 Amplification in practice
29. Singing with amplification
30. Microphones
- Condenser microphones
- Dynamic microphones
- Directional sensitivity
- Tone color
- Proximity effect
- Wireless
- Microphone cable
- The microphone transformer
- Buying a microphone
- Microphone technique
- Caring for your microphone
- Letting someone borrow your microphone
- Always sing with a microphone
- Which microphone do I use?
31. Amplification
- Overview
- The mixing board
- Input and output
- Equalizing
- Effects
- Power amplifying
- Speakers
- Compact PA system
- Monitors
- PA system
- DI
- Which equipment should you buy?
- What do I use myself?
Part 9 Putting your skills into practice
32. Singing in a band
- Finding a band
- Your own band
- Rehearsals
- Who does what?
- Learning to listen
- Giving a cue
- Ear protection
33. Singing while playing an instrument
- Alternating playing and singing
- Playing and singing at the same time
- Things to pay attention to
- Practicing
- Examples
34. Choirs and backing vocals: singing in harmony
- Unison or harmony
- Voices and parts
- Second voice and backing vocals
- Choirs
- Tips for singing backing vocals and second voices
- Tips for writing backing vocals
- Finding and keeping your note
35. Performing: your presentation on stage
- The usefulness of your presentation on stage
- The great misconception about stage presentation
- Developing a personal presentation
- Image
- An important tip: how do others do it
- A checklist
- Message
- Program buildup: the set list
- What to wear on stage?
- Announcements
- Announcements, acknowledgements, sales
- Performing abroad
- Movement
36. Performing: technical issues and the concert
- Stage set up
- The sound check
- Lighting
- The concert
37. Stage fright
38. Doing auditions
- What is an audition?
- In general
- Preparing for an audition
- The actual audition
- Afterwards
39. In the studio
- Choosing a studio
- Producer
- Preparation and planning
- Be on time
- Recording several takes
- How are you planning to record?
- Singing in a studio
- Mixing
- My own experience in the studio
40. Participating in a session
- What is a session?
- Look first
- Participating yourself
Part 10 Vocal Fitness
41. Vocal load versus capacity
- Introduction
- Vocal hygiene
42. Keeping your voice in shape
- Tips for vocal hygiene
- Tips for repertoire and arrangements
- Tips for rehearsals
- Tips for performances
- More tips
43. When things go wrong
- Can you sing with a cold?
- Trying your voice out
- Sore throat
- Relaxation exercises for your shoulders, neck and jaw
- And once you have strained your voice
- Breathy tone, non-closing vocal folds
- Vocal-fold nodules
- What can I do to keep my voice in shape?
Index
Glossary
About Ineke van Doorn
Discography
Awards
Acknowledgements
Thanks to
Colophon